The Golden ratio is an irrational number approx. 1.618, represented by the Greek symbol ‘phi’. This ratio is said to represent the building block of aesthetic beauty and is found extensively in nature e.g. body proportions of living beings, growth patterns of plants, insects etc. Researchers opine that the beauty of the Brihadeeshwara temple architecture, made in 1018CE, was due to the extensive use of the golden ratio in its design. The golden ratio emerges from the Fibonacci sequence, where each number (with the exception of the first two) is the sum of the two preceding ones (1, 1, 2, 3, 5, 8, 13…).
Fibonacci (1170-1250) was an Italian mathematician who popularized the Indian numeral system in Europe through his book, Liber Abaci. He is said to have stayed at Bugia on the Berbery coast of Africa, where he came into contact with Hindu mathematicians.
The series named after him was in use in India much before him, as the Brihadeeshwarar temple shows. The series was referred to by many Indians writing on musical metres like Virahanka (9th cent CE), Gopala (1135) & Hemachandra (1150).
Source: Velmurgan& Kalaivanan, “Existence of Golden Ratio in Tanjavur Brihadeeshwarar Temple”, Open Journal of Mathematical Science
The Golden ratio is an irrational number approx. 1.618, represented by the Greek symbol ‘phi’. This ratio is said to represent the building block of aesthetic beauty and is found extensively in nature e.g. body proportions of living beings, growth patterns of plants, insects etc. Researchers opine that the beauty of the Brihadeeshwara temple architecture, made in 1018CE, was due to the extensive use of the golden ratio in its design. The golden ratio emerges from the Fibonacci sequence, where each number (with the exception of the first two) is the sum of the two preceding ones (1, 1, 2, 3, 5, 8, 13…).
Fibonacci (1170-1250) was an Italian mathematician who popularized the Indian numeral system in Europe through his book, Liber Abaci. He is said to have stayed at Bugia on the Berbery coast of Africa, where he came into contact with Hindu mathematicians.
The series named after him was in use in India much before him, as the Brihadeeshwarar temple shows. The series was referred to by many Indians writing on musical metres like Virahanka (9th cent CE), Gopala (1135) & Hemachandra (1150).
Source: Velmurgan& Kalaivanan, “Existence of Golden Ratio in Tanjavur Brihadeeshwarar Temple”, Open Journal of Mathematical Science